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Alex Godman, the English-raised son of Russian mafia exiles, has spent his life trying to escape the shadow of their past, building his own legitimate business and forging a life with his girlfriend Rebecca. But when a murder forces his family's past to return to threaten them, Alex is drawn into the criminal underworld and must confront his values to protect those he loves.
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Catherine is a no-nonsense police sergeant who heads up a team of officers in a rural Yorkshire valley. When a staged kidnapping spirals out of control turning into a brutal series of crimes, Catherine finds herself involved in something significantly bigger than her rank, but unknowingly close to home. Written by Anonymous
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It's 1953, and Sidney Chambers is vicar of Grantchester, a village just outside Cambridge. Sidney's life is a quiet life - right up until the moment that murder comes his way. Pushed into the dangerous world of lies, betrayal and murder, Sidney quickly finds that his insight into the human condition, and the natural trust that he engenders in people, means that he excels in his new position as 'detective'. Joining Sidney as he journeys into this dark world is the affable but world-weary Detective Inspector Geordie Keating, the naive, but well-meaning curate Leonard Finch, and his austere and constantly disapproving housekeeper Mrs Maguire. But crime isn't the only matter that occupies Sidney. He's smitten with the witty, beautiful, Amanda, but could high society Amanda ever be allowed to marry a lowly country vicar? Can you still see the best in people when the world of murder asks you to see the worst?
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In the last years of Victoria's reign, London is beset by the "Touched": people — mostly women — who suddenly manifest abnormal abilities, some charming, some very disturbing. Among them are Amalia True, a mysterious, quick-fisted widow, and Penance Adair, a brilliant young inventor. They are the champions of this new underclass, making a home for the Touched, while fighting the forces of… well, pretty much all the forces — to make room for those whom history as we know it has no place.
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